Dance!

It is that time of year to enjoy the wonders of dance in my house!

My daughter's dance company just put on their annual production, and it was quite nice.  Since our family moved last year before her recital in Virginia, its been two years since I was able to see her really perform.  One trick she learned this year from her teachers was to have confidence and smile while dancing.  It really made her start to glow up on stage, and display the fun she has performing.

I learned a lot this year while shooting dance.  After shooting several years at my daughter's old studio I discovered the different challenges that come from choreography styles.  In the old studio I could easily predict when a worthy frame was coming because I knew the style.  They also used a smaller stage, so formations were tighter.  Here the stage is larger, and the staff uses it.  So it looks just as nice, but as a photographer I needed more zoom than I had to get the proper elements for a good frame.  If you are going to shoot dance I will always recommend you attend a rehearsal or multiple shows before you have to get the captures you want to keep.  This way you can know your subject, lighting and the choreographers style before the big dance.  It just makes your subject and you look so much better in the end product.

That brings me to another point, lens choices for a concert or dance.  I recently sold my 50-135 f2.8 zoom.  On a crop it is a 75-203 zoom with a depth of field around 4-5.6.  For this show it would be perfect.    Since I had not replaced it yet, I was stuck with my excellent 60-250 F4, a 16-50 F2.8 and a set of primes.  The F4 would not give me enough light to capture at the proper speed to blend motion and frozen faces I like.  The 16-50 would not get me close enough this year.  Some of my best photos in previous years came from my 50-135 and my 43...one was not there and the other would not get me close enough this year because of my location choice.  So I shot with....a 100mm F2.8 macro!  Great lens, but I was really out of my mind shooting dance with it.

A few more lessons to post this week...

-ehw

Bel Air Glamor

One of the effects of HDR photography is also to bring out textures and color in a very realistic way.

I took this photo and had some fun with it in HDR Efex Pro 2, then ran it through Color Efex 4.  Sharpened to taste and called it a day.

RC Conception pointed out to us on the second night that the purpose of HDR is to get a good product to finish in post processing.  He found many people shot, process and don't finish.

It would be like writing the first acts of a play, and then walking away from the final act.

I called this Bel Air Glamor because the Glamor Glow filter seems to be all the rage in many a circle today, and I wanted to try it out for myself.

If you want to see some really extraordinary HDR check out both RC Conception's website and Jim Begley's.  Both are true master artists with this technique.

Check them out at www.aboutrc.com and www.wowphotoshdr.com.

-ehw

-ehw

Mail Time!

Day Three at the Old Car City HDR Workshop took us to the Duluth, Georgia Southeastern Railway Museum.  Twenty six photographers danced their way through this car...which except for the cooking cars was the top attraction for the day.

The team was fantastic. During the day talked gear, life, Christ, and how to get shots right in camera.  It was big boy rules, if you wanted help you got it.  If you did not want help you just shot... and shot...and shot again.

This postal car was the first scene one I wanted to process and share.

I'll write more later.  For now I wanted to let you know to keep His Light shining in your hearts and send it out for all to see.

God Bless.

-ehw